Lugove Mastering



This is the most popular way to master a finished mix. Every project is different and our approach will vary, depending on our client's goals.

In general, we combine digital high-resolution mastering in Pyramix DAW with the benefits of analog outboard gear.

For CD distribution, we can prepare Red Book compliant audio files in addition to a DDP image. This image allows the producer and mastering engineer to have complete control over all parameters for the CD (gaps, CD-TEXT, track timings).

Stem mastering requires 

the submission of a mix dismantled into several submixes (groups of audio tracks). Usually, this allows

much greater control over elements of the mix, giving you greater flexibility to alter the sound of your tracks. 

A vinyl premaster is typically

a 24 bit audio file that contains masters for each side of the record. We can also provide you with a dedicated "mastered for vinyl"premaster

to ensure that your music translated into the world of vinyl will sound great. 

Streaming services operate at different levels of data 

reduction and may apply some form of loudness normalisation. Your great sounding mix mastered for 16-bit/44.1kHz format can easily distort when encoded as an audio stream. To this end, we can provide

an optimised master that

sounds great with different streaming services.

High-resolution audio is often defined as music that has 

been mastered from 

better-than-CD-quality music sources. We can provide DSD and PCM (up to 192kHz 

sample rate) encoded masters of your tracks for digital download and high-resolution streaming.


Let us make your mix sound great

Whether you are recording and mixing in a million dollar studio, or in less-than-ideal conditions, you still need to perform the final quality check before sending your music out for distribution. This ensures that your sound will be heard the way exactly you intended it to be, regardless of the music distribution format.

The purpose of mastering is to balance sonic elements of a stereo mix and optimise playback across all systems and media formats. Mastering requires critical listening. You need experienced ears when making decisions about whether your track's tonality and dynamic range conform to market expectations. There is no doubt that adding mastering to your project will enhance the quality of your music. Without it, your chance of making it in the highly competitive music industry decreases dramatically. 

Our studio setup combines the accuracy of the digital world with the character of analog processing to give your masters the benefit of both the worlds.

The cornerstone of our analog mastering desk is a set of unique sounding Chandler TG EMI units based on legendary EMI circuits from Abbey Road Studios.


In order to ensure the highest possible quality of mastering, we only use mastering grade AD/DA converters from Prism Sound.


We master audio files exclusively in Pyramix 11, the world's top mastering DAW, so that all of the carefully crafted gain structures, dynamics adjustments and effects are applied with the highest resolution possible regardless of the target sample rate or bit depth.

The studio has dedicated electrical wiring with a low impedance "Clean Earth" for our sensitive analog gear. We use specialised voltage regulators to ensure optimum performance of our analog and digital equipment.


Suite 2, Kd Tower, Cotterells

Hemel Hempstead


United Kingdom

VAT number: GB 211115772

Company number 09522885

Studio Manager - Emilia Gojlo

Tel: +44 7949 523793


© 2017 Lugove Technologies Limited

Suite 2, Kd Tower, Cotterells

Hemel Hempstead


United Kingdom

If you have any questions, just give us a shout and we’ll be glad to help.

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